Bellona – Roman Goddess of War

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War deities have been an important aspect of almost every ancient civilization and mythology. Rome was no exception. Considering that the Roman Empire is famous for the many wars and invasions that took place during its history, it’s little wonder that the gods and goddesses associated with war and conflict were respected, valued and praised. Bellona was one such deity, the goddess of war and the companion of Mars. Here’s a closer look.

Who Was Bellona?

Bellona was an ancient Sabine goddess with associations with Nerio, who was Mars’ wife. She was also identified with Enyo, the Greek goddess of war.

Bellona’s parents are believed to be Jupiter and Jove. Her role as a companion of Mars varies; depending on the myth, she was his wife, sister, or daughter. Bellona was the Roman goddess of war, conquest, destruction, and bloodshed. She also had connections to the Cappadocian goddess of war, Ma. 

Role in Roman Mythology

The Romans believed that Bellona could offer them protection in war and ensure their victory. Because of this belief, she was an ever-present deity in the prayers and war cries of the soldiers. In many cases, Bellona was invoked to accompany the soldiers in war. Due to the importance of wars and conquests in the Roman Empire, Bellona had an active role throughout the history of Rome. Having the favor of Bellona meant having a good outcome in war. 

Depictions of Bellona

There appear to be no depictions of Bellona that has survived from the Roman times. However, in later centuries, she was immortalized in many European artworks, including paintings and sculptures. She was also a popular figure in literature, appearing in Shakespeare’s plays such as Henry IV and Macbeth (where Macbeth is praised for being Bellona’s bridegroom, referring to his skill on the battlefield).

In most of her visual depictions, Bellona appears with a plumed helmet and a variety of weapons. Depending on the myth, she carries a sword, a shield, or a spear and rides a chariot into battle. In her descriptions, she was an active young woman who was always commanding, yelling, and giving war orders. According to Virgil, she carried a whip or a blood-tainted scourge. These symbols demonstrate the ferocity and strength of Bellona as a war goddess.

Worship and Traditions Relating to Bellona

Bellona had several temples in the Roman Empire. However, her principal place of worship was the temple in the Roman Campus Martius. This region was outside the Pomerium, and it had extraterritorial status. Due to this status, the foreign ambassadors who could not enter the city stayed there. The Senate of the Roman Empire met with the ambassadors and welcomed victorious generals in this complex. 

Next to the temple, there was a war column that played a fundamental role in wars. This column represented foreign lands, so it was the place where the Romans declared war. The Romans used Bellona’s complex to launch their campaigns against distant countries. One of the diplomacy priests, known as fetiales, threw a javelin over the column to symbolize the first attack on the enemy. When this practice evolved, they threw the weapon directly onto the territory that was to be attacked, marking the beginning of the war. 

The priests of Bellona were the Bellonarii, and one of their rituals of worship included mutilating their limbs. After that, the priests collected the blood to drink it or to offer it to Bellona. This ritual took place on March 24 and was known as dies sanguinis, the day of blood. These rites were similar to those offered to Cybele, a goddess of Asia Minor. Apart from this, Bellona also had another festival on June 3. 

In Brief

The myth of Bellona influenced the traditions of the Romans regarding war. Bellona had associations not only with conflicts but also with conquering and defeating the enemy. She remained a worshipped deity for her fundamental role in the wars against foreign countries. 

Dani Rhys

Dani Rhys

Dani Rhys has worked as a writer and editor for over 15 years. She holds a Masters degree in Linguistics and Education, and has also studied Political Science, Ancient History and Literature. She has a wide range of interests ranging from ancient cultures and mythology to Harry Potter and gardening. She works as the chief editor of Symbol Sage but also takes the time to write on topics that interest her.

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